Category: Humanities

City Creatures: Wildlife in the City

City Creatures book coverTomorrow afternoon my SUST 340 Policy, Law, & Ethics class at Roosevelt University’s Chicago Campus proudly hosts a special presentation entitled “City Creatures: Urban Biodiversity in Chicago” at 3:30 p.m. in Roosevelt’s LEED-Gold Wabash Building, Room 1214. Dr. Gavin Van Horn of the Center for Humans and Nature will discuss his recent book, City Creatures: Animal Encounters in the Chicago Wilderness (University of Chicago Press), published in November 2015; and then engage in dialogue with my students and the RU community about urban biodiversity from the perspective of the environmental humanities.

Dr. Gavin Van HornDr. Van Horn is the co-editor of City Creatures and is the Director of Cultures of Conservation at the Center for Humans and Nature, as well as editor of the widely-read City Creatures blog. His work focuses particularly on how place-based values are developed and strengthened in dialogue with local landscapes. He continues to explore cultural perceptions of wildlife; place-based ethics; endangered species recovery, ethics, and policy; and the values involved in ecological restoration projects, community gardening, and wildlife management.

This special event is free and open to the public, and is hosted by students in SUST 340 Policy, Law, & Ethics. A limited number of signed copies will be available for purchase ($30 cash) and discount order forms will be available.

Videoconference Option: For those who cannot attend in person, the City Creatures event will be video- and teleconferenced live via Zoom as well as recorded, so that you may watch and/or listen from anywhere in the world. Login information is here:

Topic: City Creatures at RU Presentation 11 Apr 2016
Time: Apr 12, 2016 3:30 PM (GMT-5:00) Central Time (US and Canada)

More on City Creatures from The University of Chicago Press website:

We usually think of cities as the domain of humans—but we are just one of thousands of species that call the urban landscape home. Chicago residents knowingly move among familiar creatures like squirrels, pigeons, and dogs, but might be surprised to learn about all the leafhoppers and water bears, black-crowned night herons and bison, beavers and massasauga rattlesnakes that are living alongside them. City Creatures introduces readers to an astonishing diversity of urban wildlife with a unique and accessible mix of essays, poetry, paintings, and photographs.

City Creatures image 3The contributors bring a story-based approach to this urban safari, taking readers on birding expeditions to the Magic Hedge at Montrose Harbor on the North Side, canoe trips down the South Fork of the Chicago River (better known as Bubbly Creek), and insect-collecting forays or restoration work days in the suburban forest preserves.

The book is organized into six sections, each highlighting one type of place in which people might encounter animals in the city and suburbs. For example, schoolyard chickens and warrior wasps populate “Backyard Diversity,” live giraffes loom at the zoo and taxidermy-in-progress pheasants fascinate museum-goers in “Animals on Display,” and a chorus of deep-freeze frogs awaits in “Water Worlds.”

City Creatures image 2Although the book is rooted in Chicago’s landscape, nature lovers from cities around the globe will find a wealth of urban animal encounters that will open their senses to a new world that has been there all along. Its powerful combination of insightful narratives, numinous poetry, and full-color art throughout will help readers see the city—and the creatures who share it with us—in an entirely new light.

Pauline Dubkin Yearwood, 1942-2015

I was very saddened to learn a few weeks ago of the passing of Pauline Dubkin Yearwood, whom I befriended several years ago while doing research on the life and work of her father and Chicago nature writer, Leonard Dubkin. Pauline graciously allowed me to interview her twice in 2007 and lent me a trove of her father’s papers and letters to assist my research, which she encouraged and supported with enthusiasm and generosity. She will be dearly missed by her family, colleagues, and many friends.

This is a reprint of the obituary, “Pauline Dubkin Yearwood, Journalist with Chicago Jewish News, Dies at 73” (Graydon Megan, Chicago Tribune, 6 Jan 2016).

Pauline Dubkin YearwoodPauline Dubkin Yearwood, the longtime managing editor of the Skokie-based Chicago Jewish News, was a prolific and award-winning journalist who covered topics from arts to health care to personal profiles.

“She was an excellent reporter and beyond that a very graceful writer,” said Joseph Aaron, editor and publisher of Chicago Jewish News. “She could handle any subject. For us she wrote a 2,500-word cover story almost every week — something like 900 cover stories.”

Aaron said Yearwood always took an unbiased approach to her work. “Everybody felt she’d given them a fair shake, covered the story fairly,” he said.

Yearwood 73, died of complications of pancreatic cancer on Dec. 22, 2015, according to her daughter Lagusta. She moved to her daughter’s home in New Paltz, N.Y., about a year ago after being diagnosed with the disease.

Pauline Dubkin Yearwood 2After high school at Francis W. Parker School in Chicago, she got a bachelor’s degree from Bryn Mawr College in Pennsylvania before returning to the Chicago area to get a master’s degree in journalism from the Medill School of Journalism of Northwestern University.

By the mid-1970s, she was married and living in Phoenix. She later divorced but remained in Phoenix, where she raised her children and began writing for newspapers including the Phoenix New Times and the Jewish News of Greater Phoenix.

“She reviewed plays and was a theater critic,” her daughter said.

Yearwood moved back to the Chicago area in the late 1990s and was soon writing for the Chicago Jewish News, work she continued until early December.

“Her writing and reporting were both very impressive,” Aaron said. “I would give her an assignment, and she would know exactly who to call, how to pursue it and how to do the research.”

Yearwood won a Chicago Headline Club Peter Lisagor Award for Exemplary Journalism in the category of Best in-depth Reporting in a Community Newspaper for her October 2008 story, “Obama and the Jews,” examining the relationship between the then soon-to-be president and the Jewish community.

She also won a 2014 American Jewish Press Association award for a 2013 profile of Chicago Teachers Union President Karen Lewis.

“I found her to be kind, probing and thought-provoking,” Lewis said in an email about the profile, which focused on Lewis’ conversion to the Jewish faith. “It is the essence of Jewish life she was interested in.”

Pauline Dubkin Yearwood 3“She was devoted to her children and her writing,” said former Tribune writer Harriet Choice, who met Yearwood when both were in high school.

Yearwood “also had a passion for animals, very into animal rights,” Choice said. That interest grew out of childhood adventures with her father, who took her to what he called his “secret places” to see natural places around the city.

“She did a lot of work for animal causes” and was a vegan for 22 years, her daughter said.

Judy Voigt, another longtime friend, called Yearwood a brilliant and prolific writer whose work didn’t stop at journalism. “She was an incredible writer — she wrote a couple of plays,” Voigt said.

Yearwood’s play, “The Natural History of Mozart Street,” was based on her father’s efforts to become an expert on nature in the city and was presented in 2010 as a staged reading by Chicago’s Genesis Theatrical Productions.

Aaron said he regularly heard compliments from people covered in Yearwood’s stories. “She really was able to grasp a topic and convey it in a both accurate and colorful way.”

She is also survived by her son, Leonard.

A tribute will be from 1 to 3 p.m. Jan. 24, in the Spertus Institute for Jewish Learning and Leadership, 610 S. Michigan Ave., Chicago.

Graydon Megan is a freelance reporter. A version of this article appeared in print on January 07, 2016, in the Business section of the Chicago Tribune with the headline “Reporter, editor with Chicago Jewish News.”

Interdisciplinarity, Sustainability, & Service Learning

A little while back, I was asked by some of my environmental studies colleagues outside of RU to briefly describe my take on interdisciplinary scholarship in under 200 words. Here’s what I came up with:

An interdisciplinary scholar can speak different disciplinary languages, recognize how they work together, and use that facility to say something unique in the process. Interdisciplinary scholarship is about integration: fitting things together in a complementary, cohesive, creative fashion so that the whole is niftier than the mere sum of its parts. I’ve sung in choirs where men and women blend the different pitches and timbres of their voices in 4, 6, even 8 part harmony. At its best, interdisciplinary work is like that: creating beautiful music from difference, even the occasional dissonance, such as in the give-and-take dialogue of interdisciplinary team-teaching. While most university landscapes remain dominated by disciplinary silos, interdisciplinary teaching and scholarship open up new ground for discovery and connect faculty and students working on problems of mutual interest. 

The last few years I’ve taught in and directed the Sustainability Studies program here at Roosevelt, the curriculum for which was designed in a consciously interdisciplinary fashion to integrate methods and insights from the natural and social sciences as well as the arts and humanities. My own academic background in biology and literature, as well as my many years of working within a multidisciplinary faculty teaching general education to returning adult students in RU’s College of Professional Studies, means I have keen interest in integrating knowledge and research methods from the humanities and natural sciences — something that is an excellent fit within the inherently interdisciplinary endeavors of environmental studies and the newly emerging sustainability studies. In a previous post, I reflect on the relevance/importance of the arts and humanities to matters of environmental science and policy.

Another thought is that service learning provides a powerful vehicle for interdisciplinary teaching and learning — both within the context of a single (potentially interdisciplinary) class as well as in the collaboration of two or more courses from different academic departments. A fascinating model for this is the Sustainable City Year Program, pioneered recently by the University of Oregon and spun off in various ways by other US colleges and universities. This is an action-oriented and sustainability-directed approach to interdisciplinary learning and scholarship that can be tailored to the particular strengths and capacities of a given university.

SUST 390 “Writing Urban Nature” Course Preview (Summer 2015)

RU students paddle the North Branch of the Chicago River, Fall 2013 (M. Bryson)
RU students paddle the North Branch of the Chicago River, Fall 2012 (M. Bryson)

This May 2015 one-week-intensive section of SUST 390 Writing Urban Nature is an environmental literature and writing special topics course distinguished by in-the-field explorations of various natural and urban environments. The class provides a unique immersive experience in “nature close at hand” at sites of ecological and cultural significance in the Chicago region. Strong emphasis on close observing place and people; walking and exploring landscapes and neighborhoods; and reflecting on / discussing compelling ideas, stories, and images of urban nature, broadly defined.

Sand County AlmanacAssigned readings will include selections from May Watts, Reading the Landscape of America; Aldo Leopold, A Sand County Almanac; Joel Greenberg, Of Prairie, Woods, and Water; blogs such as City Creatures and The Nature of Cities; and other texts. The reading list will be distributed well in advance of the class so that students will have time to read ahead prior to the week’s explorations and discussions.

Daily activities will consist of field excursions to sites of interest in Chicago’s urban landscape; discussion of assigned readings; quiet time for personal reflection, journal writing, and photography; and potential service work for local environmental organizations. Students’ daily journal and photo archive will provide material for a personal/critical reflection essay (due one week after the class ends) that incorporates text and image, critically analyzes selections from the course reading list, and reflects on the student’s individual experience in the class. Collectively, the class will produce an online project (“Chicago’s Urban Nature”) as part of the SUST at RU Blog that features creative/reflective writing that reflects upon their experience and incorporates both text and image.

SUST students visit the North Park Village Nature Center, Fall 2012 (M. Bryson)
SUST students visit the North Park Village Nature Center, Fall 2012 (M. Bryson)

Potential sites we will explore include Chicago’s lakeshore parklands and public spaces, the Chicago River (on foot and/or by canoe), neighborhood parks of cultural and ecological significance, nature centers on the North and South Sides, selected urban farms within the city, and the natural and industrial lands of the Calumet Region on the far South Side. The week’s schedule is still under development, but the varied locations will give students an opportunity to explore many seldom-seen parts of the city within a unique learning context. Most of these activities will be free, though a small fee may be charged to cover certain trips (e.g., canoe trip on the Chicago River). Public transportation will be used to access most sites. Carpooling options will be discussed at the May 6 pre-session (see below).

Who Should Take this Class

SUST students working at the Eden Place Nature Center on Chicago's South Side, 2 Dec 2014 (M. Bryson)
SUST students working at the Eden Place Nature Center on Chicago’s South Side, 2 Dec 2014 (M. Bryson)

SUST 390 Writing Urban Nature is cross-listed with ENG 340 Writing Urban Nature and PLS 371 Humanities Seminar II. SUST majors can take SUST 390 Writing Urban Nature for major credit as a SUST core course, as a Relevant Elective within their major, or as a general elective. Students who have taken a previous version of SUST 390 are eligible to take this version for credit. English majors may use this as an upper-level ENG credit or as an elective course in SUST or ENG. Students in the PLS Flex-Track program may register for PLS 371 for Humanities II credit as an upper-level general education course, or take SUST 390 for elective credit.

Registration Information

  • SUST 390-X1 Writing Urban Nature — CRN 30666 / Pre-req: ENG 102 with a grade of C- or better
  • ENG 340-X1 Writing Urban Nature — CRN 30689 / Pre-req: ENG 220 with a grade of C- or better
  • PLS 371-X1 Humanities Seminar II — CRN 30690 / Pre-req: PLS 370 or concurrent; admission to Flex-Track program for adults or advisor consent

Meets May 18-22 from 10:30am to 5pm at RU’s Chicago Campus. Required pre-session on May 6 from 4:30-6pm, room TBA. Some additional work online required; final assignment due May 29.

For more information, contact Prof. Mike Bryson (mbryson@roosevelt.edu or 312-281-3148).

How To Save a Historic Building from Becoming a Parking Lot

Here in my hometown of Joliet IL, we have several architectural gems in the old downtown along the east bank of the Des Plaines River. Prominent among these is the acclaimed Rialto Theatre, which I’ve written about previously in my stint as a citizen journalist for the Joliet Herald-News.

The Rialto Theatre, Joliet IL, c. the late 1920s (Photo: Legends of America)
The Rialto Theatre, Joliet IL, c. the late 1920s (Photo: Legends of America)

Often referred to as the “Jewel of Joliet,” the Rialto is one of the most ornate and fantastically splendid theaters in the US that dates from the golden age of movie and vaudeville house construction in the 1920s. It is an inseparable part of Joliet’s civic identity — not to mention one of the things that kept the struggling downtown district from withering away in the post-industrial era.

Given this history, it’s shocking but probably not surprising that when the Rialto was only about 50+ years old, it was nearly demolished to put in a one-square-block parking lot in the late 1970s (a dark time indeed in Joliet’s history when unemployment in the city reached 25%). Fortunately, this travesty of architectural desecration did not happen. This excellent story by Bob Okon of the Herald-News explains why.

Dorothy Mavrich, Credited with Saving Rialto, Dies

Dorothy Mavrich at the Rialto in 2008 (Shaw Media)
Dorothy Mavrich at the Rialto in 2008 (Shaw Media)

JOLIET – Dorothy Mavrich, who led a grassroots effort to save the Rialto Square Theatre from demolition, died Tuesday afternoon.

Mavrich, 94, decided at a point in the 1970s when the Rialto, now called the “Jewel of Joliet,” appeared headed for demolition that the theater should be saved.

She stood on street corners with a can to collect money and raise awareness, led fundraisers, and persisted in pursuing the Rialto owners to the point that one labeled her a “crackpot.”

Some over the years have disputed whether she got more credit for saving the Rialto than deserved, pointing to former state Rep. LeRoy Van Duyne’s influence in bringing in state money to ultimately close the deal.

But Mavrich is widely seen as the leader of the cause and the person most responsible for preserving the Rialto.

“There’s no doubt that she started the groundswell, the grassroots effort to save the place,” said James Smith, chairman of the Will County Metropolitan Exposition and Auditorium Authority that oversees the Rialto.

“She was a little lady with big ideas,” said Lynne Lichtenauer, a longtime friend who joined the cause early and later became executive director at the Rialto. “If it were not for Dorothy, the Rialto Square Theatre would not be on Chicago Street.”

Lichtenauer was with Mavrich when she died at the Joliet Area Community Hospice home. Mavrich had a stroke last week, Lichtenauer said.

She noted that Mavrich not only worked to save the Rialto, but later led the creation of the Cultural Arts Council of the Joliet Area, which provided more than $400,000 in local funding for the arts.

Mavrich was a piano teacher for 50 years. She taught at the old Joliet Conservatory of Music, located across the street from the Rialto. She told The Herald-News that she was at a concert listening to the Rialto pipe organ when she was inspired to save the theater.

“I thought, ‘My God, I can’t believe they’re going to tear this down for a parking garage,'” she told The Herald-News in 2013 as she was about to receive an award from the Joliet Area Historical Museum.

Mavrich’s persistence was evident in a story about her insistence on seeing Robert Rubens of the Rubens family, which owned the Rialto and whose name is on the sign today. Lichtenauer said Mavrich finally walked into Rubens office when there was no secretary to keep her out.

“She said, ‘I’m Dorothy Mavrich.’ He said, ‘You’re the crackpot everybody keeps telling me about,'” Lichtenauer said.

Eventually Rubens gave his blessing to Mavrich’s preservation effort, Lichtenauer said. And she later helped get the Rubens name back on the Rialto sign.

Mavrich loved telling the story, said Smith, who heard it many times himself.

“She was such a diminutive little lady,” Smith said, “but she was a powerful person.”

The Rialto Square Theatre Foundation, the organization that raises money to support the theater today, issued a statement saying, “Our community has lost a guiding light – Dorothy Mavrich, the lady who saved the Rialto.”

Encountering the Wild: Meditations and Musings from Crested Butte, Colorado

On a hike outside of Crested Butte CO, Sept 2014, during the Relative Wild writers' workshop
On a hike outside of Crested Butte CO, Sept 2014, during the Relative Wild writers’ workshop

This past September, I joined a group of writers convened by Gavin Van Horn (of the Center for Humans and Nature in Chicago) and John Hausdoerffer (a professor at Western State Colorado University and the director of WSCU’s Headwaters Project) for a much-anticipated writers’ retreat in the beautiful mountain town of Crested Butte, CO. The idea was to gather invited writers together to shares conversation, ideas, outlines, and initial jottings as a means of kicking off a new book project to be co-edited by Gavin and John called The Relative Wild. As they describe it, this is a collection of stories and essays that

will explore how human and ecological communities co-create the wild. The “myth of the pristine” — that nature is most valuable when liberated from human presence — is quickly being supplanted by “the myth of the humanized,” the assertion that nothing is untouched by human influence, and therefore one may embrace ecosystem change, even extreme changes, as “natural.” We suggest that both of these myths deserve equal scrutiny, and that one way to do so is by celebrating the common ground of the relative wild: the degrees and integration of wildness and human influence in any place.

Slate River valley near Crested Butte, Sept 2014 (M. Bryson)
Slate River valley near Crested Butte, Sept 2014 (M. Bryson)

Having participated in a previous CHN writer’s retreat at the Indiana Dunes National Lakeshore for the forthcoming book City Creatures (Univ. of Chicago Press, 2015), I know firsthand how extraordinary an opportunity it is to take time out from the busy schedule and harried demands of ordinary life to mingle with talented and creative writers all focused on a common project. The fact that the Relative Wild gathering transpired in a beautiful mountain setting at the autumnal equinox was even better. Over the course of two and a half days, we had many great conversations, took hikes in the stunning mountains and valleys outside of Crested Butte, ate meals together, used quiet time for writing and reflection, and engaged in several productive and inspiring writing workshop sessions led by the esteemed naturalist and prolific nature writer, Robert Michael Pyle.

My planned contribution to the book will be co-written with Mr. Michael Howard, the Executive Director and founder of Eden Place Nature Center in Chicago, and is tentatively entitled “Cultivating the Wild on Chicago’s South Side: Stories of People and Nature at Eden Place.” What follows below is an example of the writing we were assigned to do at writers’ workshop. Here, Bob Pyle challenged us to closely observe and meditate on our immediate surroundings and experiences in Crested Butte that weekend, and to write about them as evocatively as possible. Whether or not we connected these observations to our planned essay/story topics for the book was optional. His writing prompt — to start with the phrase, “Encounter, here . . .” — was both deceptively simple and (for me) highly challenging. This is what I wrote.

Three Encounters (in response to Bob Pyle’s writing prompt)
by Mike Bryson

Encounter: Crest Butte, CO

Aspen forest (M. Bryson
Aspen forest (M. Bryson)

September 21 — We leave our lodge on foot here in town, walk for what only seems to be a few blocks (hardly far enough to go anywhere at home), and suddenly, we’re on a mountain trail. We hike high above the winding Slate River, through intermittent stands of turning-gold aspen. I gawp at the massive bulk of Mount Crested Butte, Gothic Mountain, the interplay of rock and tree line, the contrasting beauty of the valley, the rich topography that is overwhelming in its newness and scale.

The damp, rich, loamy smell of the forest, though, makes just as strong an impression. Aspen leaves are scattered on the trail, gold, green-dappled, as beautiful as mountains. My companions, old friends and new, chuckle at my boyish “golly gee” reaction to this place. I am a rube in this wilderness, as stupefied as a farm boy in New York City.

September 22 — After dark, I gather six aspen leaves of varying size and hue, each jeweled with perfect drops of rainwater. I blot them dry in my room, press them between the pages of Gary Snyder’s Mountains and Rivers without End. It’s comforting to know that my wife and children will consider this a worthy gift upon my return.

The central IL landscape: Daniel farm, Woodford County, fall 2013 (L. Bryson)
The central IL landscape: Daniel farm, several miles southeast of Metamora, Woodford County, Oct 2013 (L. Bryson)

Encounter: Metamora, IL

Reeser family reunion at the Mennonite Heritage Center, east of Metamora in central Illinois’ Woodford County. The heart of Illinois farm country, just northeast of Peoria, soils built by centuries of deep-rooted prairie growth, decay, regeneration. Corn and soybeans now dominate this quiet land, the rolling soft green hills of the Mackinaw River valley belying the fact that this is in part a built environment, made and maintained with tractors and chemicals. The ditches and streams here are as vulnerable to nitrogen runoff from the seasonal applications of anhydrous as Oh-Be-Joyful Creek is to heavy metal contamination from the Daisy Mine upstream of Crested Butte, Colorado.

After our family’s potluck dinner and visiting with elderly relatives over rhubarb pie and weak coffee, we walk over to a half-acre prairie restoration dedicated to my great-great-great grandfather, Christian Reeser, a Swiss-German immigrant who lived and farmed to age 104. Once much of Illinois looked like this. Tallgrass prairie: 1/100th of one percent remains.

Encounter: Chicago IL

September 17 — Eden Place Nature Center, in the Fuller Park neighborhood on Chicago’s South Side. Michael Howard and I sit and talk in the trailer that serves as office, classroom, conference area, and tool shed at Eden Place, a 3.4-acre farm and nature center wrought from the desecration of an illegal waste dump in the middle of a residential area in one of Chicago’s poorest, smallest, most isolated, and most polluted neighborhoods. Outside, goats bleat, chickens fuss and cluck, two ponies graze quietly.

Eden Place Nature Center, Sept 2014 (M. Bryson)
Eden Place Nature Center, Sept 2014 (M. Bryson)

The early stages of an oak savannah and prairie restoration take up the north half of this refuge, the only bona fide nature center on the entire south side of the city. Modestly sized and brightly painted barns stand against the tall concrete embankment of the railroad that runs along Eden Place’s western border. Exhaust-streaked trains, passenger and freight, clatter by at short intervals. Too often, freight lines stop and idle here, engines rumbling, diesel fumes thick in the air. Raised-bed gardens sport squash, beans, peppers, tomatoes, herbs.

“What is this book supposed to be about again?” Michael asks. “Remind me. I’m sorry — this has been a long week.” He is exhausted by his new job at the Illinois Department of Natural Resources, but relieved to have stolen a few rare moments of down time at Eden Place. An oasis in the city.

“The Relative Wild,” I reply. He nods, looks thoughtful.

“When we created Eden Place,” he said, “the thought was this: if we build it, the wild will come.” And so it has over the last fifteen or so years. Red-tailed hawks. Migrating songbirds. Raccoon, opossum, skunk. White-tailed deer, seen in the damp mist at two in the morning. Urban wild amidst an imposing hardscape of pavement and gravel, humble houses and gritty vacant lots, cut off and bounded by physical barriers of twelve-lane expressway, railroads, abandoned industrial yards. Build it, the man says. The wild will come.

Crested Butte, CO
September 23, 2014

Headwaters Conference / “Relative Wild” Writer’s Retreat

Western State CO Univ
Western State CO Univ

Today I’m en route to Gunnison CO, home of Western State Colorado University, to participate in the 25th annual Headwaters Conference sponsored by the university’s Center for Environment and Sustainability. This year’s conference focuses on the notion of “The Relative Wild,” and features a keynote address by acclaimed poet Gary Snyder as well as a full day of presentations and discussions on various aspect of wildness. I’m speaking tomorrow as part of a panel discussing the “urban wild” — in particular, the experience of urban nature and its relation to kids and environmental education.

Crested Butte, CO
Crested Butte, CO

On Sunday, I join a group of writers convened by Gavin Van Horn (Center for Humans and Nature in Chicago) and John Hausdoerffer (WSCU Headwaters Project) for a long-anticipated writer’s retreat in nearby Crested Butte. We’ll be sharing ideas, outlines, and initial jottings to kick off a new book project to be co-edited by Gavin and John that’s tentatively titled The Relative Wild — a collection of stories and essays that, as the editors describe it,

will explore how human and ecological communities co-create the wild. The ‘myth of the pristine’ — that nature is most valuable when liberated from human presence — is quickly being supplanted by ‘the myth of the humanized,’ the assertion that nothing is untouched by human influence, and therefore one may embrace ecosystem change, even extreme changes, as ‘natural.’ We suggest that both of these myths deserve equal scrutiny, and that one way to do so is by celebrating the common ground of the relative wild: the degrees and integration of wildness and human influence in any place.

Having participated in a previous CHN writer’s retreat at the Indiana Dunes National Lakeshore for the forthcoming book City Creatures (Univ. of Chicago Press, 2015), I know firsthand how extraordinary an opportunity it is to take time out from the busy schedules and harried demands of ordinary life to mingle with talented and creative writers all focused on a common project. The fact that this is happening in a beautiful mountain setting at the autumnal equinox is even better!

Water, Climate Change, Science, & Literature

This month one of Chicago’s public radio stations, WBEZ (91.5 FM), has kicked off a fascinating and timely series about water, science, and the humanities. It’s called After Water, and according to the series’ website, the project asks “writers to peer into the future—100 years or more—and imagine the region around the Great Lakes, when water scarcity is a dominant social issue. It’s a cosmic blend of art and science . . . [that will feature] stories, research, photos and more.”

Professor Gary Wolfe
Professor Gary Wolfe

Kicking off the series this week was a Morning Shift conversation on WBEZ with my longtime Roosevelt colleague, Dr. Gary Wolfe (the guy who hired me, by the way), one of the world’s foremost authorities on the literature of sci-fi and fantasy. Gary was in the house to talk about the emergent genre of “cli-fi,” or fiction about climate change, and its relation to water issues. Not only was Gary completely at home in this milieu due to his many years’ experience doing his own radio show in Chicago, “Interface,” but this gig was an apt follow-up to his teaching of a Special Topics SUST 390 seminar this past spring entitled “Sustainability in Film and Fiction.”

I look forward to following the stories and images within this unfolding After Water series, as it’s a great example of the need to integrate science and the humanities in constructing compelling narratives about the crisis of climate change, a subject I addressed briefly in this short essay from last summer.