Frederick Douglass was a self-educated enslaved man in the South who grew up to become an icon. He was a leader of the abolitionist movement, a celebrated writer, an esteemed speaker, and a social reformer, proving that, as he said, “Once you learn to read, you will be forever free.” Ages 6–10.
Born into slavery, Belle had to endure the cruelty of several masters before she escaped to freedom. But she knew she wouldn’t really be free unless she was helping to end injustice. That’s when she changed her name to Sojourner and began traveling across the country, demanding equal rights for Black people and for women. Many people weren’t ready for her message, but Sojourner was brave, and her truth was powerful. Ages 5–9.
This picture book is a celebration of the 50th anniversary of the momentous Woolworth’s lunch counter sit-in, when four college students staged a peaceful protest that became a defining moment in the struggle for racial equality and the growing civil rights movement. Andrea Davis Pinkney uses poetic, powerful prose to tell the story of these four young men, who followed Dr. Martin Luther King Jr.’s words of peaceful protest and dared to sit at the “whites only” Woolworth’s lunch counter. Ages 7–10.
A vivid depiction of the early injustices encountered by a young Mexican-American girl in San Antonio in the 1920’s. Emma Tenayuca learns to care deeply about poverty and hunger during a time when many Mexican Americans were starving to death and working unreasonably long hours for 3 cents/hour in the city’s pecan-shelling factories. Through astute perception, caring, and personal action, Emma begins to get involved, and eventually, at the age of 21, leads 12,000 workers in the first significant historical action in the Mexican-American struggle for justice. Emma’s story serves as a model for young and old alike about courage, compassion, and the role everyone can play in making the world more fair. Ages 5–7.
In luminous paintings and arresting poems, two of children’s literature’s top African-American scholars track Arturo Schomburg’s quest to correct history. Where is our historian to give us our side? Arturo asked. Amid the scholars, poets, authors, and artists of the Harlem Renaissance stood an Afro–Puerto Rican named Arturo Schomburg. This law clerk’s life’s passion was to collect books, letters, music, and art from Africa and the African diaspora and bring to light the achievements of people of African descent through the ages. When Schomburg’s collection became so big it began to overflow his house, he turned to the New York Public Library, where he created and curated a collection that was the cornerstone of a new Negro Division. A century later, his groundbreaking collection, known as the Schomburg Center for Research in Black Culture, has become a beacon to scholars all over the world. Ages 9–12.
The writers and illustrators of this English/Arabic bilingual picture book are Palestinian refugee children in the Aida Refugee Camp near the city of Bethlehem in the West Bank. They created a story that focuses on a boy in a refugee camp whose experiences reflect those of many Palestinian refugee children. The wall that led to this picture book was built in 2004 across the West Bank, home to more than a million Palestinians. This wall separates the refugee camp from the children’s old village and the land where their grandparents used to harvest. The Palestinian refugees call it a separation wall. In the story, a Palestinian boy recalls one spring when a high concrete wall was built next to his home. The construction of the wall brought threatening objects and people such as heavy machinery, guns, gas canisters, loud army jeeps, and heavily armed soldiers. The children’s playground is buried as the gray construction covers the springtime landscape. The new gigantic wall brings many concerns for the boy: his soccer field, places to pick flowers, his father’s safety in commuting to work in Jerusalem, and his turtle’s adjustment to a refugee camp. This hard-to-believe reality is conveyed through a poetic tone to the narration. Portraying the boy’s experiences and thoughts through conditional statements reflects the boy’s longing to go home, which is not physically far away from the camp, yet politically distant. The story ends with the mother telling her son and perhaps all Palestinian refugee children, “I hope you will become whatever you want to be, but for now I am very glad that you are my little boy. Sit with me under our tree, and I will sing to you of Jerusalem.” Ages 9 and up. Read more “The Boy And The Wall” By Palestinian Refugee Children In The Aida Refugee Camp